Kissing the Mask: Beauty, Understatement and Femininity in Japanese Noh Theater, with Some Thoughts on Muses (Especially Helga T
Kissing the Mask: Beauty, Understatement and Femininity in Japanese Noh Theater, with Some Thoughts on Muses (Especially Helga T (Hardcover)
There's no question that William T. Vollmann loves to write. It's evidenced by his mammoth-length novels and his equally comprehensive nonfiction studies on varying themes, from violence to railroad hopping. Fresh off his 1300+ page examination of Mexico-California relations, 2009's Imperial, Vollmann gives us Kissing the Mask, a critical study of Japanese Noh Theatre. Vollmann, whom I can adequately describe as "meticulously creative," states in the preface: "This short book is an appreciation, sincere and blundering, resolutely ignorant, riddled with the prejudices and insights of an alien, a theatergoer, a man gazing at femininity." I find his sincere attempt to understand something possibly ungraspable endearing - and extremely interesting to read. His desire to delve deeper and deeper into unknown territory--be it war zones or the intricacies of identity--is something I find completely enthralling and inspiring. -- Geo Ong
From the National Book Award-winning author of Europe Central comes a charming, evocative and piercing examination of an ancient Japanese tradition and the keys it holds to our modern understanding of beauty....
What is a woman? To what extent is femininity a performance? Writing with the extraordin-ary awareness and endless curiosity that have defined his entire oeuvre, William T. Vollmann takes an in-depth look into the Japanese craft of Noh theater, using the medium as a prism to reveal the conception of beauty itself.
Sweeping readers from the dressing room of one of Japan's most famous Noh actors to a transvestite bar in the red-light district of Kabukicho, Kissing the Mask explores the enigma surrounding Noh theater and the traditions that have made it intrinsic to Japanese culture for centuries. Vollmann then widens his scope to encompass such modern artists of attraction and loss as Mishima, Kawabata and even Andrew Wyeth. From old Norse poetry to Greek cult statues, from Japan's most elite geisha dancers to American makeup artists, from Serbia to India, Vollmann works to extract the secrets of staged femininity and the mystery of perceived and expressed beauty, including explorations of gender at a transgendered community in Los Angeles and with Kabuki female impersonators.
Kissing the Mask is illustrated with many evocative sketches and photographs by the author.
About the Author
William T. Vollmann is the author of seven novels, three collections of stories, and a seven-volume critique of violence, Rising Up and Rising Down. He is also the author of Poor People, a worldwide examination of poverty through the eyes of the impoverished themselves; Riding Toward Everywhere, an examination of the train-hopping hobo lifestyle; and Imperial, a panoramic look at one of the poorest areas in America. He has won the PEN Center USA West Award for Fiction, a Shiva Naipaul Memorial Prize and a Whiting Writers' Award. His journalism and fiction have been published in The New Yorker, Esquire, Spin and Granta. Vollmann lives in Sacramento, California.
Praise for Kissing the Mask: Beauty, Understatement and Femininity in Japanese Noh Theater, with Some Thoughts on Muses (Especially Helga T…
“[A] provocative inquiry into beauty and desire... [Vollmann] is a passionate and penetrating observer ... a daring, brilliant, and idiosyncratic quest astonishing in its discernment, scope, and feeling.”
“The performance of female characters by male Noh actors sparks a deeply researched, lovingly detailed, and obsessive discourse on the nature of feminine beauty....[A] fervently reflective, probing narrative...[that] rewards it on almost every page.”
“[Vollmann’s] evocations of [Noh’s] death-haunted stories, its eerie masks, its male actors playing women...are so electric and strange, so enchanted, that they made me long for the very dramas that have often sent me toward the exit before the intermission.”
-Pico Iyer, New York Times Book Review
“Reward[s] the reader who stays with it for the long trip, the way a travel chronicle does.... Vollmann is not just a writer who admires. He is a writer who looks and touches.”
-San Francisco Chronicle