Alfredo Boulton: Looking at Venezuela, 1928–1978 (Hardcover)
This lavishly illustrated volume examines the work of the Venezuelan photographer and art historian Alfredo Boulton, one of the main intellectuals of Latin American modernity.
Alfredo Boulton (1908–1995) is considered one of the most important champions of modern art in Venezuela and a key intellectual of twentieth-century modernism. He was a pioneer of modern photography, an art critic, a researcher and historian of Venezuelan art, a friend to many of the great artists and architects of the twentieth century, and an expert on the imagery of the heroes of his country’s independence.
Yet, Boulton is shockingly underrecognized outside of his native land. The few exhibitions related to his work have focused exclusively on his photographic production; never has there been a project that looks at the full range of Boulton’s efforts, foregrounding his influence on the shaping of Venezuelan art. This volume addresses these lacunae by analyzing Boulton’s groundbreaking photographic practice, his central role in the construction of a modern national artistic canon, and his influence in formalizing and developing art history and criticism in Venezuela. Based on the extensive materials held in Boulton’s archive at the Getty Research Institute, Alfredo Boulton brings together essays by leading scholars in the field to offer a commanding, original perspective on his contributions to the formation of a distinctive modernity at home and beyond.
This volume is published to accompany an exhibition on view at the Getty Research Institute at the Getty Center from August 29, 2023, to January 21, 2024.
About the Author
Idurre Alonso is curator of Latin American collections at the Getty Research Institute.
“This lavish publication, which examines [Boulton's] full range of activity, including pre-Hispanic art, promises to be revelatory.”
— Jacqueline Riding
“[A] remarkable book. . . . Alfredo Boulton: Looking at Venezuela, 1928–1978 paints a compelling portrait of a period in which art, art history and politics were part of a modernising project.”
— Gabriel Pérez-Barreiro
“Beautifully constructed. . . . Recommended for undergraduate and graduate students interested in Latin American art history, archivists, and libraries seeking to expand their Latin American history collections.”
— Christine Rosa